review

Review: Harlem

Posted by on April 21st 2010 0

Harlem
Hippies
A

Harlem is a trio from Austin by way of Los Angeles by way of Nashville by way of Tucson. Their genre follows suit with their geography, Harlem is punk? garage rock? retro garage pop? R&B? proto-punk? etc etc. While their genre remains elusive, I think they explain their sound best: “When kids are jumping on the bed playing tennis rackets like guitars. We are the music that is playing in their brains.” Harlem’s newest release, Hippies swaggering, exuberant, unpretentious jaunt of an album. Hippies opens with the unavoidably catchy “Someday Soon” is a headbopping little number about “letting that shit burn”. Though Harlem certainly has a distinct sound, each of the 16 tracks bursts in its own unique way, alternating between heavy percussive surges and sweet and mellow throwbacks. There’s something disarming about the charm of Harlem’s insouciant take on whatever genre gets pinned on them. “Friendly Ghost” is yet another highlight, with winsome lyrics of, well, what the title suggests. Finally, I’d suggest checking out “Gay Human Bones” a welcome jolt of clear sound in a thickly distorted album. Overall, Hippies is the perfect thing to get you through the last searing days of classes and into the much needed lackadaisical days of summer.

– Tiare Dunlap
“Girl Please,” Fridays 4-6 pm on WGTB

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Review: Automatic Children, New is Beautiful

Posted by on April 20th 2010 0

Automatic Children
New is Beautiful
14-year-old Fiona: A for sound, What Are Lyrics?
19-year-old Fiona: B- for sound, A for lyrics
Before handing me Automatic Children’s debut album New is Beautiful, WGTB Music Board Director Christian said this: “This record sounds pretty much just like everything coming out of Brooklyn right now. Except for the lyrics, their lyrics are actually pretty cool. There, I’ve essentially written your review for you.” Now you make the call, here’s what I’ve got on New is Beautiful:
Automatic Children sounded so familiar at first listen that I had to wonder if I’d heard them before––no, they are a little-known (at least outside of their borough) up-and-coming band out of NYC, so not that. Their music, however, plays straight up into the genre of poppy lo-fi post-punk––a genre that feels very much like home to me, after I dwelled there for much of my freshman and sophomore year of high school. If I had heard this album during that phase, it would have undoubtably, immediately become a close favorite. Read More »

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Review: Tallest Man on Earth, The Wild Hunt

Posted by on April 19th 2010 0

The Tallest Man on Earth
The Wild Hunt
8.6 on a 10-Point Scale

I’m sorry for eavesdropping, but did you say you were looking for a Swedish folk artist that sounds sort of like Bob Dylan minus the harmonica, but with more guitar glissandos, and with a Scandanavian name that ends with –sson?  Oh… Sorry… I misheard you… Here’s the salt.  But in case you were wondering, The Tallest Man on Earth, the stage name for Kristian Matsson, is a great acoustic folk artist that you will be sure to enjoy.  He may not sound celestial, but his voice meets the genre perfectly.  Musically, his vocal lines are flowing, but at the same time are somewhat predictable. On the poetic end, his lyrics and mystifying and can keep a stoned-out coffee shop crowd scratching their heads (excluding his tracks that are narrative).  The guitar music?  Finger pickin’ good!  Read More »

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